“Maestro Keshab Kanti Chowdhury knows Flamenco not long ago, [but] he knows music at nude, and make an excellet work with Dorantes”.
Metro Directo,(Spanish) 27 September 2004.
“The Indian Maestro makes dancing with his fingers […] another Bulería for the glory of Keshab Kanti Chowdhury, a prodigy of rhythm”.
El Mundo, (Spanish) 27 September 2004
“Keshab Kanti Chowdhury´s work on Tablas adds a vocal element that´s unheard in the American fusion of Indian percusión with Jazz licks, like Miles Davis´ On The Corner with Badal Roy or Renee Rosnes´ Life On Earth with Zakir Hussain. That is Chowdhury fairly amazingly sings the rhythms that he plays as quickly as he plays them, roughy comparable to Toots Thielemans´ whistling the improvisations he plays on Guitar. In the interludes between Parfenov´s middle-range trumpet lines, complete with ornaments, Chowdhury gives vocal expresión to the sounds-the dins´s and da´s of his percusiveness”.
Reviewed by Don Williamson. Record label: Cosmics Sounds, London
CD title: Once Upon A Time In The City Of Kazan, Year 2001
“Keshab Kanti Chowdhury on the Tabla had plenty of chance to display his skills. His interlocutions were devoid of any histrionics and his unusual style of developing solos received plenty of applause”
Hindustuain Times, 21 September,1995
“Keshab Chowdhury kept pace on the Tabla and showed good acumen in the dhrut tala”
Indian Express, Chandigarth, 4 February,1994
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